Puella Magi Madoka Magica
If anime were a religion, magical girls would be one of its Five Pillars, along with shounen battle, love comedy, mecha and sports. Friendship, courage and cuteness are the fundamentals of the classic mahou shoujo. Implied yuri and teenage angst come optional in contemporary interpretations.
It’s a genre that is really easy to understand and that’s why I’ve never really been a huge fan of it. It’s like watching the latest Hollywood adaptation of yet another Marvel superhero — mildly entertaining with few surprises.
Puella Magi Madoka Magica is different. I am not ready to declare it the best show this season after three episodes, but I will say that it definitely stands out.
Story
Madoka Magica has a typical story. Madoka Kaname, a normal and klutzy heroine who is not very confident about herself, finds herself caught in the midst of a supernatural battle between “Puellae Magi” (magical girls) and “Witches”.
Stare into its eyes…
Kyubey, the obligatory magical mascot creature, wants to recruit Madoka to fight the Witches and offers to grant her a single wish of her choice in return.
Homura Akemi, a transfer student with an unfriendly demeanour who turns out to be a Puella Magi herself, cryptically warns Madoka not to get involved.
Mami Tomoe, a Puella Magi fighting for Kyubey, gives Madoka some friendly advice and teaches her what being a Puella Magi entails.
Thoughts
Madoka Magica’s art style instantly stands out. The background illustrations, whether indoors or outdoors, are expansive and untamed, very unlike the claustrophobic Japanesque settings usually found in anime. Every scene in the anime feels surreal and somehow magical for reasons I can’t quite put into words.
Classroom without desks
Such rooftops have never been seen on an anime school building
The railings are straight but the street lights are caught in a fish-eye lens
The fight scenes take place in some kind of alternate dimension created by the Witches. The background animation in this alternate dimension features a cut-out visual style I can only describe as “Monty Python”. There is something mildly disturbing about the little creatures(?) scurrying around this alternate dimension. I would describe these sequences as visual manifestations of nightmares.
What is this I don’t even
The stuff dreams are made of
Maybe this is just a cunning plan to cut animation budget
The start of the first episode is somewhat reminiscent of Black Rock Shooter.
The score composed by Yuki Kajiura and the ending song by Kalafina are amazing as usual and Kajiura’s style is really a perfect match for the animation. The combination sends chills down my spine.
Okay, I realize I am just writing in random disjointed sentences. This show is really messing up my mind. Let me try to collect my thoughts…
*Deep breath*
I think the most enjoyable part of Madoka Magica is the way it manages to capture exactly what I think magical girls should feel like.
Beneath the cutesy surface, there is an unspoken air of uncertainty, paranoia and even fear. There is a subtle hint that something dark and horrible lies just out of sight and things are not as simple as they appear to be. Refuge from the unknown is only temporary and peace can at any moment be replaced by chaos. The music and the otherworldly art style bring that message home perfectly.
You can frame this and hang it on a wall
Imagine, a weird talking creature appears one day to tell you to risk your life fighting unknown monsters. There is nothing magical or happy about that picture. Unlike most titles of the genre, Madoka Magica tells it as it is. I really, really like that.
Penetrating stare…
The fact is that magical girls in anime are never truly in danger. Fear and despair always come across as a transparent performance seeking to accentuate the ultimate triumph of love, hope and all things pure and good. The presentation in these shows never matches the supposed gravity of the situation — little girls fighting for their lives against great evil. The heroine may be torn and tattered, but the audience is never really forced to leave our comfort zone.
Madoka Magica on the other hand makes me feel very uncomfortable. It feels like there are no safe assumptions to be made and everything can and will fall apart at a moment’s notice. I have no idea where the story is going and I am dying to find out. This is a good thing.
Step 1 to fighting Witches
Own, like, a billion guns
For example, Kyubey looks like a stereotypical magical companion, but I find his unchanging expression, adorable as it may be, rather disturbing. When he offers Madoka a wish in return for her becoming a Puella Magi, the first thing that came to my mind was that it sounds like a deal with the devil. The fact that Homura appears to be very bitter about being a Puella Magi and wants to stop Madoka from becoming one further foreshadows the nature of this Faustian bargain.
Kyubey’s eternally frozen :3 expression looks downright unhinging if you pay attention. It cannot be unseen.
Your soul in exchange for anything you wish and powers beyond your imagination
Similarly, there is thus far no real explanation for why Puellae Magi are fighting the Witches. Interestingly, Witches drop a “Seed” when they die, which can then be used by a Puella Magi to recharge her magical powers. This frankly sounds like a predator-prey relationship more than a fight for love or justice. It seems to hint at something darker and more sinister about the unexplained relationship between the two.
Of course, it is possible that I am over-thinking this whole thing. Perhaps it will turn out to be nothing more than a completely generic mahou shoujo story with funkier art.
But the fact that the show makes me wonder at all is probably testament to its uniqueness.
Usually I only spend one post on every show I blog about, either a first impression or a full review. I think this may turn out to be one of the few exceptions. We shall see.
More screencaps
Madoka’s mother is, dare I say, a MILF
This is totally getting banned in Tokyo
This supporting character reminds me of someone but I cannot quite come up with a name
I guess Homura is Fate to Madoka’s Nanoha…
Sayaka is Madoka’s good friend
She’s kind of a main character but seems redundant
Weird structure on top of the school building
Classy
It’s some kind of monster chicken
Someone should introduce Mami to guns that can hold more than one round
Or I guess one huge round would do…
The hidden camera view…
Sweet dreams are made of this
I am suddenly reminded of this.
January 22nd, 2011 at 1:16 am
I’m shocked. Original content! Maybe I will check this one out after all.
January 22nd, 2011 at 1:20 am
>> Such rooftops have never been seen on an anime school building
Utena hits it pretty close. Actually it’s good contrast. Madoka’s architecture is undeniably a 21st century take, oppressive spaces cranked up to the max.
January 22nd, 2011 at 1:26 am
Ah yes. Now that you mentioned it, Utena does evoke similar feelings in terms of the setting.
January 22nd, 2011 at 1:55 am
Omg! Thank you for the recommendation! I’ve been looking for something to watch and this will be it!
Trackback from
Caligo Madocae | AnimanachronismJanuary 22nd, 2011 at 3:35 am
[...] a little tired of this angle. Let me play Devil’s [...]
January 22nd, 2011 at 6:16 am
Let’s see:
puella
puellae
puellae
puellam
puella
puellae
puellarum
puellis
puellas
puellis
January 22nd, 2011 at 6:58 am
> There is something mildly disturbing about the little creatures(?) scurrying around this alternate dimension.
They are called Anthony, btw, according to deciphered letters SHAFT uses all over the place. Very mundane name for something so creepy.
@tudza
Your point? “Girl” is supposed to be in nominative. “Magical”, however should also be in feminine nominative, “maga”, not “magi”.
January 22nd, 2011 at 9:36 am
To me it feels mainly like a giant mish-mash of other Shinbo shows. The backgrounds have a very similar look to them to the ones in Bakemonogatari. Hidamari Sketch character art. Crazy jarring witch-world animation sequences straight out of a Sayonara Zetsubou-sensei OP, along with the sinister undertone. Which isn’t to say that it’s bad or anything. I guess expecting something less derivative from a Magical Girl show is always going to leave you somewhat disappointed. Maybe it’ll improve – the second episode was certainly better than the first one. It just really hasn’t clicked for me.
January 22nd, 2011 at 11:00 am
● ω ●
It’s staring into your soul
January 22nd, 2011 at 1:41 pm
Inb4 best show of the year.
● ω ●
January 22nd, 2011 at 6:23 pm
Let’s not get too far ahead… It’s only January.
January 23rd, 2011 at 11:58 am
Who am I to disagree?
January 24th, 2011 at 10:23 am
What they don’t tell you is that SHAFT has secretly abducted Dave McKean into their underground bunker, bound and chained, and forced him with the aid of hallucinogenic gas to do the alternate world sequences. Yeeaah. THAT’S where SHAFT spends their budget.
January 25th, 2011 at 10:08 pm
“This supporting character reminds me of someone but I cannot quite come up with a name”
Reminds me of one of the random supporting characters in Kino’s Travels or something similar. Green hair makes me think 黄緑 but anyone could have green hair.
February 9th, 2011 at 3:10 am
Just so you know, the scenarist who did this series… is also the one who wrote the Saya no Uta VN. Let that be food for thought.
March 10th, 2011 at 11:37 am
Well, you were right on the money. Excellent article, made even more amazing that it was written after only 3 episodes (OK, 3′s been helping, but still you got where it was going before the shit -really- hit the fan.)
May 1st, 2011 at 10:46 am
Probably 2011 Winter’s best anime. Shaft totally deconstructed the Magical Girl genre…give this series some love if you’re looking for some differences in this kind of genre…magical girl + Faust + Lovecraft