{"id":1070,"date":"2008-05-05T20:29:38","date_gmt":"2008-05-05T12:29:38","guid":{"rendered":"http:\/\/www.darkmirage.com\/?p=1070"},"modified":"2008-05-05T20:41:53","modified_gmt":"2008-05-05T12:41:53","slug":"macross-frontier","status":"publish","type":"post","link":"http:\/\/www.darkmirage.com\/2008\/05\/05\/macross-frontier\/","title":{"rendered":"Macross Frontier"},"content":{"rendered":"
Why does watching Macross Frontier<\/strong> bring a warm and fuzzy feeling to my heart? Perhaps it’s the draw of its wonderful soundtrack composed by Yoko Kanno, or is it the oscillating love triangle between Alto, Sheryl and Ranka? The storytelling is altogether compelling and the seamless blending of audio and visual effects bring highlight to every episode, each one an unique and exhilarating ride to satisfaction. It’s difficult to pinpoint just what Macross F has done right, but the use of music as a central plot device is without a doubt a vital part of its magic.<\/p>\n Macross Frontier looks set to be the<\/em> show of the year. Go watch it if you haven’t. It’s simply deculture. (Zentradian for “unbelievable”.)<\/small><\/p>\n P.S.<\/strong> The primary motivation for this post is my sudden urge to fanboy over Sheryl after having watched episode 5. Sheryl <3<\/p>\n","protected":false},"excerpt":{"rendered":" Why does watching Macross Frontier bring a warm and fuzzy feeling to my heart? Perhaps it’s the draw of its wonderful soundtrack composed by Yoko Kanno, or is it the oscillating love triangle between Alto, Sheryl and Ranka? The storytelling … Continue reading