Due to the dearth of anime that interests me, I have been spending more time on manga these days. During a recent frolic in the forest of books that is Kinokuniya, I bought the first volume of Natsu no Zenjitsu (å¤ã®å‰æ—¥) on a whim, as I often do when I don’t want to feel like I wasted a trip there because the new releases I was actually looking for were not yet in stock. Though these impulse buys often, by their very nature, end up disappointing, this time it turned out to be a surprisingly good purchase.
Natsu no Zenjitsu is a sweet and somewhat melancholic story about Tetsuo Aoki, a 4th-year student at Hiyoshigaoka Arts University who works part-time at an art supply store, and Akira Aizawa, an older woman who works for a local art gallery. Imagine Honey and Clover with just Mayama and Rika, if you swapped their personalities and tweaked things a bit.
The great part about Natsu is really the art, which, unfortunately for those who cannot understand Japanese or do not want to purchase the book, has been completely ruined in the online scans by a raw cleaner’s overly-liberal use of Photoshop’s Brightness & Contrast tool. Scanslators love to make their scans have pure white background (because it gives the impression of a high quality scan), even if they really shouldn’t…
The original features beautiful cross-hatching done with delicate pen strokes and some very brilliant line art, with sparing use of prefab screen tones where cross-shading is not viable. The resulting presentation is simply a joy to look at, a whole different level from the flat tone-shaded visual style adopted by most weekly shounen titles. Simply beautiful. It’s a shame that the high contrast found in online scans wiped out most of the intricate details and turned everything that survived the genocide into blobs of dark abyss. This is why all the pictures in this post suck balls.
Natsu‘s author, Motoi Yoshida, also drew the original Koi Kaze, a fact that I only found out after I started writing this post, so you can get an idea of how the art really looks like from there. (Assuming you didn’t just download the scans for Koikaze too…)
Story-wise, Natsu is pure and simple. There’s basically no real problems to be solved in the story, just two characters falling in love (or not?) in an awkward and at times amusing manner. The brilliantness lies more in the subtle interactions between Tetsuo and Akira and the way the panels are composed to convey the weight of every meaningful glance and thoughtful pause. The pair’s idle flirtations take on a life of their own. Simply delightful.
Apparently, Natsu is actually a prequel to another manga by Yoshida, Mizu no Iro Gin no Tsuki (æ°´ã®è‰² 銀ã®æœˆ) and, according to a random manga blog I googled upon, you can actually find out what happens to the main characters in Natsu if you read that earlier work. I’ll probably wait for Natsu to finish first, which will probably take a while considering that it’s serialized in good! AFTERNOON, a bimonthly magazine. Then again, Mizu only took two books and Koi Kaze, his longest work, ended in five volumes.
So anyway, although it’s probably because I am biased towards the genre, I find the book to be bloody brilliant. Get it on Amazon JP if you can read Japanese. If not, you can still pretend that it’s a cheap art book and enjoy the pretty artwork.
A small postscript note: Although not classified as an adult manga by Japanese standards, Natsu contains tasteful nudity and sex scenes. Be warned.
Thanks for the review. I really like the art style, especially the faces. Also, please watch sorawoto (http://en.wikipedia.org/wiki/So_Ra_No_Wo_To) before dismissing this year’s anime offerings. It’s not èŒãˆ fluff. I promise.
@ Soul, I tried watching So Ra No Wo To, and I hated it to death. What merits do you see in it?
I’m going to live with my inability to see the actual quality of art you describe. I doubt they’ll send it to the US, and even then, I’m too cheap to spend $13-15 per volume when my Korean friends can rent it for $.30 a pop and read it to me. I suppose I’ll put this on the list of future books to read, because it will be many years before I will be able to read it without translations.
@Dan – Let me add a disclaimer that I actually like iyashi-kei (“relaxing”) anime, something that I suspect a lot of people hate. Sorawoto is iyashi-kei meets SF with a healthy dose of humanism thrown into the mix. (I also like SF)
I found sorawoto to have an excellent story with good pacing and high production values for art and music. In particular, the way the details of the world’s history are revealed from episode to episode was very engaging. The series often makes interesting observations about the nature of human endeavor as seen through the lens of a post-apocalyptic setting. Also, the series’ arguably ‘main’ characters, Filicia and Rio, have interesting and well fleshed-out backgrounds. This also applies to Noel to some extent.
All in all, the series is probably quite polarizing since it could be easily construed to be yet another moe-pandering show, with a moe-blob main character that has an annoying high-pitched voice and is obviously an attempt to cash in on the K-ON! boom [/bitter sarcasm]
I hate K-On! and the accompanying mass cashing-in with merchandise with a fervor. Add to the various anime nowadays that seemed to be starting out on that similar formula and you have a really really irate person here.
Fair enough. I guess I just didn’t enjoy it, but I acknowledge the qualities you’ve listed.
As much as I try to avoid my bias, I just can’t watch it without reminding me of K-ON, which I hold a truly passionate hatred for. As a result, I have a very difficult time putting Sorawoto in a positive light. All I can say is that the qualities you listed most certainly exist, at least from the parts I watched.
Interesting that you thought the story was the strong point of So Ra Wo To. I found characterization to be the main focus, and main source of enjoyment. I agree that the restrained way they went about revealing the history was classy. There are only so many causes of an apocalypse, so in my book it’s more about the style of the reveal than about the substance.
Either way, definitely something DM needs to review!
Hi! I am a big fan of this series, hence I was very thankful when I found that somebody took the time to review it. I’ve been waiting for Chapter 8 to be scanlated but my 8 months of waiting was fruitless. Apparently, I don’t understand Japanese so I can’t just buy a copy from Amazon JP. Have you read Chapter 8 (and beyond)? I would be even more thankful if you give us the lowdown on what happened to Tetsuo and Akira then. Please? :D
I’m a scanlator. And I currently have volume one being edited. That being said, how would you edit the manga?
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