So I was listening to my playlist of illegally-downloaded perfectly legitimate songs while on the way home from taking a JLPT mock paper just three hour ago, and I thought about the songs and how I’d rank them.
I should have been thinking about the topic for the next lesson chapter or how I could make billions of dollars by setting up a multi-level marketing scheme targetted at helpless otaku hikikomori, but I spent the time thinking about anime songs instead. Man, I’m wasting my life away…
So anyway, after some deep dileberations, I noticed some patterns with regards to my poor music taste…
First of all, I have zero musical talents and I can’t tell do from mi. But we all know that, on the Internet, one doesn’t need to know anything whatsoever to be an expert in any field. That’s where we get wikipedia.
Please also note that my 3346-entry playlist consists of nothing but J-Pop and anime and game-related songs. So don’t even get started on Mozart and Beethoven unless Evangelion counts.
After some self-reflection, I believe that I classify songs into five levels.
ZOMG YES!!! – I can listen to the song all day and still like it.
Good – I listen to it.
Meh – Don’t mind listening.
Bad – I’ll skip it if I notice that it’s being played.
ZOMG KILL ME!!! – I’ll delete it from my playlist and hard disk ASAP.
In general, most songs after multiple listenings don’t end up in the same category as when they first start out in, and the further a song is from mediocre, the less likely its position will change, for better or worse.
Most songs start out in the “Meh” to “Good” region when I first listen to them. After a few runs, they usually move on to “Good”. Those that continue to sound “Meh” are usually forgotten in some remote parts of my playlist, like decomposed skeletons decorating lost tombs and booby-trapped dungeons… but nevertheless I keep them in my playlist.
The “Good” songs usually never proceed on to the highest level because there’s always something about them that bothers me, something missing. I can’t seem to ever identify what exactly is this mysterious missing element due to my severe musical retardation. Most anime songs seem to fall into this field of semi-good mediocrity and semi-mediocre goodness that keeps them on my playlist.
Both the OP and ED of Suzumiya Haruhi fall into the “Good” category. However, it took me a while to start liking them and even now I can’t stand looping these two songs because I always end up being distracted by a feeling of incompleteness. I think it has something to do with Aya Hirano’s voice… I get this same feeling from Miyuki Hashimoto. Maybe there’s something wrong with me.
The songs that I really like and really hate are usually very distinct right from the first time I hear them. When I first listened to “Ongaku” by Maaya Sakamoto, I knew that it was going to be one of my all-time favourites. The same applies to almost every song by FictionJunction YUUKA, except some of the ones from the album Destination. On the other hand, nearly all of Haruko Momoi’s songs end up in Recycle-kun within five seconds.
There are always a few exceptions. When I first heard “half pain”, the ED of Witch Hunter Robin, I never really thought much of it. A few months back, I came across it again while shuffling through my playlist as usual and it was not long before I named it as one of my favourite songs, a title that is worth increasingly less due to inflation. Nothing much changed since I last watched Robin, but somehow the song came across differently after being forgotten for some time. Songs enter my favourites in this manner from time to time.
And that is the main reason why I chose to create a long playlist consisting of a wide variety of songs ranging from bad to perfection, instead of a tiny playlist containing only my favourite songs. I leave my Winamp playing in the background all the time and I don’t usually pay much attention to the songs being played when I am doing things online. Therefore, it doesn’t really matter whether the songs are bad or mediocre, and there’s always a chance that I’ll find a hidden gem I’ve been missing out on. Only when I’m not going to do anything else but listen to music, will I then select and play the songs I like, the list of which is now richer thanks to my usual playlist of mostly mediocre songs.
Just now I mentioned that there is something about Aya’s songs that prevents them from becoming my favourites. Well there is one exception… and that is “God knows…”. In any other circumstances, this would have been merely a “Good” song like the rest, but that scene in episode 12 of Haruhi made all the difference. A song that is vocally imperfect (by my bias definitions) can sometimes overcome its defect if it is introduced in the right context. At least for me.
So what do you think? Do I sound like I really have half a clue about what I am talking about or do I sound like I am a sleep-deprived nutcase typing up useless blog entries 2am in the morning?
Note to self: no more caffeine.
lol paper kun…
somehow i didnt really like haruhi op too…
but on other hand … i really god knows – hirano aya one!
nothin wrong with her voice… although i prefer if she speak just using normal voice on tv event …
and yeah… music need to be played at least 3 times for me, to make sure whether i can like the music or not ^^
but for me… if i like the music first time i listen it, then it gonna be my new favorite music… although after mass looping i will go bored to the song…
Now I finally understand DM’s music taste. =P
You need some good songs. Like Break the Cocoon, Equal Reason and others.
Well, I’d have to say that the scene which accompanied “God Knows” was what made the song more than just ‘eh’ – it’s like that with me and some of the other stuff I’ve heard in anime in the past few years – examples include “Akatsuki no Kuruma” and “Annaniissho Datta No Ni” – they’re alright by themselves (and I personally feel Akatsuki no Kuruma’s among the best of the songs which showed up in Gundam SEED, and among some of Kajiura’s better vocal compositions), but it was the scenes which they accompanied which made them more memorable.
Kanno’s music can stand on its own, but sometimes it’s the scene where it first appears in which makes it resonate more in a person’s memory – like Torukia from GITS:SAC 2nd Gig, or Inner Universe when used with the last scene of the first season.
God Knows gets played everyday on my list. Followed by everything else in random.
Yep. God Knows is like a must in my everyday song list. Somehow i can visualise all the anime scenes of the song and it makes the impression all the more stronger.
I go for songs that appeal to me musically. As in I don’t listen to songs just because they are from a certain anime. They have to pass the bar first. I usually create playlists on the go, depending on what I feel like listening to. Sometimes I just feel nostalgic for a certain anime and I’d start listening to the OST, but there are only a few that I keep, such as Mai HiME, ARIA the Animation, ARIA the Natural, Fate/Stay Night, as well as excerpts from The Third, Nanoha and Nanoha A’s. Then I have a current playlist with more contemporary songs, such as the Pray album (OP for Gintama) and Haruhi songs. Interestingly enough, the first time I heard God Knows I just put it off as just another rock-type song. But after watching it I saw it in a whole new light. That kind of applies to the Haruhi OP and ED too. Haruhi is the exception to my usual choices.
Xak: I’m not just saying that I’ll listen to any music just becuase it’s from an anime… but the emotional cues from a scene can enhance the enjoyability of some music, if only because the music evokes something one liked from the scene in question, or else the music itself gets a boost from the memory – God Knows’ rocking rhythm, combined with the energy of the crowd, evokes memories of live performances for me… as it apparently did for you as well, given how you dismissed it until seeing the scene in question. The music itself has to have a bit of a catch to it in the first place… but the scene that it accompanies (example: “Akatsuki no Kuruma” accompanied both Athrun and Cagalli’s first faceoff, as well as the destruction of Orb at the end of Ep 40) can add extra ‘punch’ to the music.
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